{"id":3965,"date":"2020-07-29T17:20:05","date_gmt":"2020-07-29T17:20:05","guid":{"rendered":"https:\/\/devnull.pt\/cetaps\/?p=3965"},"modified":"2024-07-31T16:03:21","modified_gmt":"2024-07-31T16:03:21","slug":"arus-spain","status":"publish","type":"post","link":"https:\/\/devnull.pt\/cetaps\/arus-spain\/","title":{"rendered":"ARUS Spain"},"content":{"rendered":"<p>This supplements the information on research conducted in Spain in the field of Utopian Studies provided by Elizabeth Russell in the article \u201cUtopian Studies in Spain\u201d (<em>Utopian Studies<\/em>, Vol. 27, No. 3, 2016).<\/p>\n<p>&nbsp;<\/p>\n<h6><strong>Publications on utopian studies by the group members include:<\/strong><\/h6>\n<p>Pere Gallardo Torrano (2001) \u201cReflections on Virtual Group Sex and Male. Insecurity: Robert Silverberg\u2019s \u2018In the Group\u2019\u201d in\u00a0<em>Foundation<\/em>, Vol 30 (#83), pp16-25<\/p>\n<p>Pere Gallardo-Torrano (2001) \u201cMyth, Utopia and Fallacy in Peter Weir\u2019s\u00a0<em>The Truman Show<\/em>\u201d, in Antonio Celada (et al, eds.)\u00a0<em>Power and Culture in America: Forms of Interaction and Renewal,<\/em>\u00a0(Salamanca. Ediciones Universidad de Salamanca), pp 219-226.<\/p>\n<p>Pere Gallardo (2002) \u201cAgeing Mechanisms: The Body\/Machine metaphor in David Lynch\u2019s\u00a0<em>The Straight Story<\/em>and Alfred Uhry\u2019s\u00a0<em>Driving Miss Daisy<\/em>\u201d in Maria O\u2019Neill (et al, eds.)\u00a0<em>The Aesthetics of Ageing<\/em>. (Lleida: Universitat de Lleida), \u00a0pp71-82<\/p>\n<p>Pere Gallardo (2002) \u201cDel somni tecnocient\u00edfic al malson totalitari\u201d in Jordi Font-Agust\u00ed (ed.)\u00a0<em>Entre la por i l\u2019esperan\u00e7a<\/em>\u00a0(Barcelona: Proa), pp43-67.<\/p>\n<p>Elizabeth Russell (2002) \u201cGood Places Nowhere, Bad Places Now\/Here\u201d in: Maria Llu\u00efsa Penelas &amp; Bea Porqueres (eds),\u00a0<em>La Ciutat de les Dames. Ciutat i ciutadania<\/em>. Centre de Cultura Contempor\u00e0nea de Barcelona, pp.29-44.<\/p>\n<p>Pere Gallardo-Torrano (2004) \u201cThe McDonaldization of the Modern Prometheus: Michael Crichton\u2019s<em>Westworld<\/em>\u00a0and\u00a0<em>Jurassic Park<\/em>\u201d in\u00a0<em>Letterature d\u2019America<\/em>, Vol XXIV (#103-104), pp137-160.<\/p>\n<p>Pere Gallardo Torrano (2004) \u201cWho wants to Live Forever? An Interview with James Halperin on Life, Death and his Novel:\u00a0<em>The First Immortal<\/em>\u201d, in Maria Vidal (et al, eds)\u00a0<em>The Polemics of Ageing<\/em>(Zaragoza: Universitat de Lleida), pp73-81.<\/p>\n<p>Pere Gallardo Torrano (2005) \u201cDel retrofuturismo al neoconservadurismo: la imagen del robot femenino en la narrativa cl\u00e1sica de ciencia ficci\u00f3n\u201d in Coral Cuadrada (ed)\u00a0<em>Dones, coneixement i societat<\/em>(Tarragona: Fundaci\u00f3 Josep Recasens\/Universitat Rovira i Virgili), pp 13-33.<\/p>\n<p>John Style (2006) \u201cWhat happens when God describes Utopia? Neale Donald Walsch\u2019s utopian vision.\u201d<em>Spaces of Utopia,<\/em>\u00a0e-journal, No 2, \u00a0(Faculdade de Letras, Universidade Oporto, Portugal).<\/p>\n<p>Pere Gallardo-Torrano (2006) \u201cFrom Mindscapes to Landscapes: J.G.Ballard\u2019s Self-sought Utopia in<em>Concrete Island<\/em>\u201d in\u00a0<em>Spaces of Utopia<\/em>, e-journal, No. 2, (Faculdade de Letras, Universidade do Porto, Portugal). pp15-27<\/p>\n<p>John Style and Maria Bonet (2008) \u201cUtopia and the Middle Ages in Popular Culture: a Reading of Ridley Scott\u2019s\u00a0<em>Kingdom of Heaven<\/em>,\u201d\u00a0<em>Spaces of Utopia: An Electronic Journal<\/em>, nr 5, Summer, pp. 55-93.<\/p>\n<p>Pere Gallardo-Torrano (2007) \u201cDr. Frankenstein\u2019s Technophobic Diet: \u2018The Iron Chancellor\u2019 by Robert Silverberg\u201d in Jopy Nyman (et al, ed.)\u00a0<em>Mapping Appetite: Essays on Food, Fiction and Culture<\/em>(Newcastle: Cambridge Scholars Publishing), pp 85-96.<\/p>\n<p>Elizabeth Russell (2007)\u00a0<em>Somnis d\u2019Utopies<\/em>\u00a0(Quaderns de l\u2019Institut 9, Institut Catal\u00e0 de les Dones, Generalitat de Catalunya, Barcelona).<\/p>\n<p>Pere Gallardo-Torrano (2008) \u201cThe Road to Perdition is Paved in Technicolour:\u00a0<em>Pleasantville<\/em>, by Gary Ross\u201d, in Elizabeth Russell (ed.)\u00a0<em>Trans\/Forming Utopia<\/em>\u00a0(vol II) (Oxford: Peter Lang), pp 223-232.<\/p>\n<p>Elizabeth Russell (2009) \u201cNo Place, No Body: Lastmanism and Lastwomanism\u201d in: Elizabeth Russell (ed), Trans\/Forming Utopia, Volume I: Looking Forward to the End (Oxford, Peter Lang) pp.127-146.<\/p>\n<p>Katarzyna Baran (2012) \u201cRecovery of the Past in Ursula K. Le Guin\u2019s\u00a0<em>The Telling<\/em>\u201d in Sara Mart\u00edn Alegre, et al, eds.).\u00a0<em>At a Time of Crisis: English and American Studies in Spain<\/em>. Universitat Aut\u00f2noma de Barcelona\/AEDEAN, pp. 53-58.<\/p>\n<p>Elizabeth Russell (2012) \u201cFrom Embodied Spaces to Disembodied Places: Manjula Padmanabhan\u2019s\u00a0<em>Harvest<\/em>and\u00a0<em>Escape<\/em>\u201c. In: Reading Transcultural Cities (English Studies Series \/ Col\u00b7lecci\u00f3 Estudis Anglesos, Universidad de las Islas Baleares) pp.149-171.<\/p>\n<p>Pere Gallardo Torrano (2012) \u201c Virtual Nations as Spaces of Individual and Collective Identity\u201d. In Sanda Berce (et al, eds).\u00a0<em>Cultural Imprints in the Age of Globalisation: Writing Region and Nation<\/em>. (Cluj-Napoca:\u00a0 Presa Universitar\u0103 Clujean\u0103), pp133-143.<\/p>\n<p>John Style (2013) \u201cQuantifying panic: Robert Harris\u2019\u00a0<em>The Fear Index<\/em>\u201d, in: Pere Gallardo and Elizabeth Russell (eds.):\u00a0<em>Yesterday\u2019s Tomorrows: On Utopia and Dystopia<\/em>\u00a0(Newcastle: Cambridge Scholar\u2019s Publishing).<\/p>\n<p>Katarzyna Baran (2013) \u201cPast Effaced. Past Recovered. Dreams and Memory Control in Recent Dystopian Cinema\u201d in\u00a0<em>University of Bucharest Review<\/em>. Vol. III\u00a0<em>Cultures of Memory, Memories of Culture\u00a0<\/em>(No. 2); pp. 26-34.<\/p>\n<p>Katarzyna Baran (2013)\u00a0<em>\u201cThe Giver<\/em>: Memory Erased, Death Marginalized, Freedom Forgotten\u201d in Pere Gallardo and Elizabeth Russell (eds.),\u00a0<em>Yesterday\u2019s Tomorrows: On Utopia and Dystopia<\/em>. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 277-92.<\/p>\n<p>Elizabeth Russell (2013)\u00a0 \u201c\u2019Haruki Murakami\u2019s 1Q84: A Homage to George Orwell\u2019s Nineteen Eighty-Four\u2019? In Elizabeth Russell and Pere Gallardo (eds.):\u00a0<em>Yesterday\u2019s Tomorrows: On Utopia and Dystopia<\/em>(Newcastle: Cambridge Scholar\u2019s Publishing) pp.307-322.<\/p>\n<p>Elizabeth Russell (2014) \u201cEscape \/ Landscape \/ Genderscape: No Futures for Women\u201d. In Monica Germana and Aris Mousoutzanis (eds.)\u00a0<em>Apocalyptic Discourse in Contemporary Culture. Post-Millenium Perspectives on the End of the World\u00a0<\/em>(London: Routledge) pp.104-116.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h6><strong>Books edited by the group:<\/strong><\/h6>\n<p>Elizabeth Russell (2009 ed),\u00a0<em>Trans\/Forming Utopia, Volume I: Looking Forward to the End,\u00a0<\/em>(Oxford: Peter Lang).<\/p>\n<p>Elizabeth Russell (2009 ed),\u00a0<em>Trans\/Forming Utopia, Volume II: The Small Thin Story\u00a0<\/em>(Oxford: Peter Lang).<\/p>\n<p>Pere Gallardo &amp; Elizabeth Russell (2013 eds.):\u00a0<em>Yesterday\u2019s Tomorrows: On Utopia and Dystopia<\/em>(Newcastle: Cambridge Scholars Publishing)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This supplements the information on research conducted in Spain in the field of Utopian Studies provided by Elizabeth Russell in the article \u201cUtopian Studies in Spain\u201d (Utopian Studies, Vol. 27, No. 3, 2016). &nbsp; Publications on utopian studies by the group members include: Pere Gallardo Torrano (2001) \u201cReflections on Virtual Group Sex and Male. Insecurity: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[1],"tags":[58],"area-tag":[],"class_list":["post-3965","post","type-post","status-publish","format-standard","hentry","category-articles","tag-arus"],"acf":[],"_links":{"self":[{"href":"https:\/\/devnull.pt\/cetaps\/wp-json\/wp\/v2\/posts\/3965","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/devnull.pt\/cetaps\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/devnull.pt\/cetaps\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/devnull.pt\/cetaps\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/devnull.pt\/cetaps\/wp-json\/wp\/v2\/comments?post=3965"}],"version-history":[{"count":1,"href":"https:\/\/devnull.pt\/cetaps\/wp-json\/wp\/v2\/posts\/3965\/revisions"}],"predecessor-version":[{"id":3966,"href":"https:\/\/devnull.pt\/cetaps\/wp-json\/wp\/v2\/posts\/3965\/revisions\/3966"}],"wp:attachment":[{"href":"https:\/\/devnull.pt\/cetaps\/wp-json\/wp\/v2\/media?parent=3965"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/devnull.pt\/cetaps\/wp-json\/wp\/v2\/categories?post=3965"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/devnull.pt\/cetaps\/wp-json\/wp\/v2\/tags?post=3965"},{"taxonomy":"area-tag","embeddable":true,"href":"https:\/\/devnull.pt\/cetaps\/wp-json\/wp\/v2\/area-tag?post=3965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}